AKTION: Conceptual Art & Photography (1960 - 1980)
AKTION: CONCEPTUAL ART & PHOTOGRAPHY (1960 – 1980) explores
an exhibition which explores the global Conceptual art movement over two decades of photography, through the work of 26 artists from 13 countries. The presentation investigates different conceptual uses of photography within practices dealing with Feminism, political activism, performance and social critique.
Featured artists:
Eleanor ANTIN, Keith ARNATT, Renate BERTLMANN, Marcel BROODTHAERS, Günter BRUS, James COLEMAN, Ger VAN ELK, Hans-Peter FELDMANN, Robert FILLIOU, Barry FLANAGAN, Hans HAACKE, Nigel HENDERSON, Ed HERRING, John HILLIARD, Kurt KREN, John LATHAM, Roelof LOUW, Ana MENDIETA, Tony MORGAN, Otto MUEHL, Dennis OPPENHEIM, Gina PANE, Liliana PORTER, Dieter ROTH, Rudolf SCHWARZKOGLER, Marie YATES.
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Renate BERTLMANN 1943 -Hommage à Magritte, 1978Titled, signed and dated on reverseSet of 3 Polaroid photographsOverall: 10.7 x 26.4 cm(REB114)
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Hans-Peter FELDMANN 1941-Untitled (Sunday Pictures), 197621 offset lithograph postersDimensions variable(HPF036)
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Hans HAACKE 1936 -Mobil: On the Right Track, 1980Dated and signed in typeset (lower right)Screen print with collage of photographs on wove paper153 x 109 cmEdition of 3(HHA008)
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Hans HAACKE 1936 -Upstairs at Mobil: Musings at a Shareholder, 1981Colour photo-etching printed on ten sheets of paperEach: 51 x 40.6 cm
Overall: 102 x 203 cmEdition of 10(HHA009) -
John HILLIARD 1945 -She observed her reflection in the glass, 1976Each signed, dated and titled on the reverse.Set of 3 colour photos mounted on board with lettraset text. UniqueEach work signed and dated on reverse: 37.3 x 55.8 cm(JHD076)
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John HILLIARD 1945 -765 Paper Balls, 1969Signed and dated on reverseVintage black and white photograph mounted on board122 x 122 cmEdition of 3(JHD038)
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Roelof LOUW 1936-2018Mirror Fragmentation, 1977Signed and numbered on reversePigment print on Ilford Omnijet Satin (Printed 2013)122 x 124.5 cmEdition of 5(ROL016)
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Tony MORGAN 1938-2004Book of Exercises: Washing, 1972Black and white photograph50 x 50 cm (image size)(TMO035)
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Dennis OPPENHEIM 1938 - 2011Reading Position for Second Degree Burn, 1970Signed and editioned 4/30 in ink on reverseChromogenic print (Printed 2000-2001)59.7 x 42.5 cmEdition 4 of 30(DOP002)Image: (c) Dennis Oppenheim. Courtesy Dennis Oppenheim Estate
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Gina PANE 1939-1990Action Privee - cont. 1975, 1975Signed and dated on one photograph on front
Numbered on reverse 1 & 2 in pencil.Two vintage photographs, one with hand colouring and both with collage and ink writingEach: 19.6 x 19.2 cm(GPN032) -
Ger VAN ELK 1941-2014The Co-Founder of the Word O.K. - Hollywood, 1971Each signed, titled, dated and ordered I-IIITwo sets of 3 colour photographs: one vintage, dated and printed 1971, one dated 1971 and printed 2002Each: 49 x 40 cmEdition 4 of 4(GVE007)
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Marie YATES 1940 -Waterfall Working Islawr-dref, North Wales. 19th and 20th October 1975, 197528 black and white interconnected images and texts344 x 12 cmUnique(MAY048)
AKTION: CONCEPTUAL ART & PHOTOGRAPHY (1960 – 1980)explores
an exhibition which explores the global Conceptual art movement over two decades of photography, through the work of 26 artists from 13 countries. The presentation investigates different conceptual uses of photography within practices dealing with Feminism, political activism, performance and social critique.
Featured artists:
Eleanor ANTIN, Keith ARNATT, Renate BERTLMANN, Marcel BROODTHAERS, Günter BRUS, James COLEMAN, Ger VAN ELK, Hans-Peter FELDMANN, Robert FILLIOU, Barry FLANAGAN, Hans HAACKE, Nigel HENDERSON, Ed HERRING, John HILLIARD, Kurt KREN, John LATHAM, Roelof LOUW, Ana MENDIETA, Tony MORGAN, Otto MUEHL, Dennis OPPENHEIM, Gina PANE, Liliana PORTER, Dieter ROTH, Rudolf SCHWARZKOGLER, Marie YATES.
Highlights of the exhibition include Eleanor ANTIN’s 100 BOOTS (1971): Antin travelled the US photographing 100 black rubber boots in different scenarios, as a comment on the displaced people in America. To advertise her photos, she distributed them as postcards in a revolutionary global mail-art project.
Ger van ELK’s The Co-founder of the Word O.K. (1971): Comprising three photographs taken on Hollywood Boulevard of the artist miming the word ‘O.K’, this work which makes light of tourist attractions, was described by Van Elk as “touristic expressionism”.
Hans-Peter FELDMANN's Sunday pictures (1976): A dedicated collector of images, Feldmann is famous for grouping found photographs and writing them a new narrative. This work gives a romantic collective meaning to what originally were throw-away images.
Hans HAACKE’s Upstairs at Mobil (1981): Comprising a photo-etching of images and text across 10 panels, this work voices the artists politically driven satirical exposé of the marketing strategies of oil company Mobil.
Nigel HENDERSON’s Photograms (all c.1958): Also known as ‘Hendograms’, these rarely exhibited early examples of experimental British photography were made using an enlarger given to Henderson by Eduardo Paolozzi, and the debris he found walking the streets of London’s east end.
John HILLIARD’s She Observed Her Reflection In The Glass (1976): A triptych of photographs taken inside London’s National Portrait Gallery of Velázquez’s The Rokeby Venus (1647-51) and a woman in the foreground observing the work; playing with ideas around the art object, reflection and gaze.
Kurt KREN’s Video Stills (1960s-1970s): A collection of highly experimental films of actions and performances by the Austrian pioneer of structural film-making, spanning two-decades.
Roelof LOUW’s Mirror Fragmentation (1977): A large-format photographwhich depicts a broken mirror carefully placed on the floor of an empty room, integrating and expanding the interior architectural space.
Dennis OPPENHEIM’sReading Position for Second Degree Burn (1970): Where we see the artist sunbathing for 5 hours, a book placed over his chest, recording the change in his skin tone before and after.
Rudolf SCHWARZKOGLER's Aktion mit seinem egenen Korper [Action with one’s own body] (1966): The Viennese Actionist was 25 when he staged this performance, just 4 years before his death. In a sequence of 15 photos he embodies a despairing feeling toward the cruelty of the world. The work belongs to his Aktion series, which also takes the title of the show.
Marie YATES’ Waterfall Working Islawr-dref (1975): The visual and textual documentation of a journey in the wild, this marks the first time this work has been on public view since 1975, when it was produced for the British Council exhibition "Time Words and the Camera".
AKTION: CONCEPTUAL ART & PHOTOGRAPHY (1960 – 1980) precedes a presentation of the photographic and video work Voyage to Italy (2008) by the British artist Victor BURGIN, opening 30 August 2018.