Jennifer Binnie

Pre-order now – available for collection & shipping from early February!

Jennifer Binnie's first-ever publication, published on the occasion of her debut publication and solo exhibition, Forest Visions, at Richard Saltoun Gallery (January–March 2025).

The publication includes an essay by art critic Jennifer Higgie and a special section dedicated to materials from the Neo Naturists Archive.

To accompany the publication, the artist has created a special limited edition: Woman in the Trees — 50 individually hand-coloured linocuts, available here ( includes free catalogue). 

Jennifer Binnie emerged as a pivotal figure in British art during the early 1980s, as co-founder of the Neo Naturists, an important performance art group formed in 1981. Her solo painting practice developed in parallel, garnering critical praise from influential critics such as Louisa Buck. Her artistic language has since developed around a persistent exploration of dissolving hierarchies between the human and non-human. Drawing on a range of influences from prehistoric cave paintings to the performance art of Helen Chadwick and Bruce Lacey, Binnie’s practice defies linear interpretation, operating instead through symbols, metaphors, and intuition. Her recurring motifs—deer, foxes, and radiant, archetypal women—capture the interconnectedness of all life forms.

This publication was designed by A Practice for Everyday Life. 

Printed in an edition of 500 copies.