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"By recovering the aesthetic and identity value of the materials she uses, most of them of natural origin without substantial chromatic manipulations, and by re-enacting the sapiential properties of plants and other life forms that populate the Earth, Gaia Fugazza demonstrates how the idea of man’s predominance over nature derives from an ideological misunderstanding of the notion of intelligence, which for centuries has been tendentiously associated with purely human characteristics, such as thought and word."
- Emanuela Zanon
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Gaia FUGAZZA
Virginity is not a contraceptive. Shooting star in Pisces, 2015Beeswax, Blanc de Meudon, rabbit skin glue, pigments, acrylic medium on carved wood60 x 40 x 3 cm -
"In delicate drawings carved onto wood or paintings on glass with raw, hand-mixed pigments, Fugazza fuses stimuli from smartphones and laptops with narratives of everyday life that are at once deeply personal to the artist and universally understood."
- ARTSY'S '30 Emerging Artists to Watch This Spring'
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Gaia FUGAZZA
Mimosa Pudica - Hostages and partners, 2019Quilted maple plywood, beeswax, mineral pigments, rubber50 x 62 cm -
Gaia FUGAZZA
A distant attempt and the present worms, 2019Carved and burned wood, beeswax, porcupine needles, copper oxide, iron oxide, graphite, oil colours, acrylic medium180 x 115 cm -
Gaia FUGAZZA
Plants like him - Cerulean Blue, 2020Mineral Pigments, Beeswax, Watercolours, Traditional Gesso on wood180 x 115 x 3.2 cm