Within the series, each artwork acts as a portal to alternate universes, where ethereal figures seamlessly oscillate between abstract and figurative realms, unfolding against celestial backdrops. Qian Qian starts with creating the backgrounds, applying and manipulating watercolour by uniquely using salt in certain areas, blending chaos with control. Subsequently, her precisely rendered pencil strokes introduce various figurative elements into the composition. By deftly playing with perspective, the artist transports viewers beyond the confines of outer space, or into the intricate recesses of the human body, showcasing a symbiotic interplay between fluid organisms coexisting and intertwined.

The artist's deep-rooted interest in the pre-Renaissance entanglements of science and mythology are a primary influence for her visual vocabulary. Quantum physics and quantum consciousness, string theory, and the fundamental concept that all thought and matter is vibration inspire the forms appearing in  "Zeta Decay"," "Duet," and "Pulsation", which resemble vibrating, charged particles. 

The recurrently appearing cracks in the artworks, such as in ‘Traveller’ and ‘Transmigration of a Soul’, symbolize the intrusion of the external world into the internal domain, where organic and chaotic life finds its way through the crevices, infiltrating the realm of artificial, man-made constructs. The artist drew inspiration from the cracks in her balcony walls, where natural micro-ecosystems have tenaciously thrived. Organic motifs such as cells, bacteria, roots and plants harmoniously interact with ethereal humanoid figures and intelligent machines, exemplified in "Cindy in Red" and "Poppy," thus exploring the tension between the organic and artificial realms spurred by the rising ideology of techno-utopianism and AI. 

"Metempsychosis" presents an enthralling constellation of fluid, dreamlike worlds, wherein characters and motifs from mythology, science, nature, and spirituality converge and interact in perfect symbiosis.

Embracing mankind in a phenomenological sense, Qian Qian’s work awakens the (human) spirits through constructed situations and empathized material. Relations are automatically generated where there are humans and as a type of psychological acknowledgement, spiritual being can be created therefrom. The assembled space, cosmopolitan, cities, local library, exhibition space or the Internet, provides a context where relations can be guided and reformed. Her medium varies from social practice, interactive installation to painting. 

Qian Qian (b.1990, China), graduated in 2018 from MFA Fine Art in Goldsmiths, University of London. Her past exhibitions include: Mother Art Prize group exhibition, Zabludowicz Collection, London (2023), Embryos, solo exhibition in West Norwood Project Space, London (2020); Syncopes, Mimosa House (2021); FBA Futures, Mall Galleries, London (2019); Lodger, Westminster Library, London(2017); ...And To Dust All Return, Unna Way, Huddersfield (2016). She is the recipient of the 2023 Mother Art Prize Online Award and was shortlisted for FBA Futures in 2019. Qian Qian now lives and works in London.