Richard Saltoun Gallery presents Making New Worlds, Extended , an online exhibition featuring a selection of works on paper by gallery artists Li Yuan-chia, Dom Sylvester Houédard and Greta Schödl on the occasion of Kettle’s Yard exhibition Making New Worlds: Li Yuan-chia and Friends, open until 18 February 2024.
During his life, pioneering artist Li Yuan-chia was committed to fostering creativity and supporting contemporary practitioners. He founded the LYC Museum & Art Gallery in 1972 in the Cumbrian village of Banks, where he showcased kineticism, land art and video art, together with ancient artefacts and works by British modernists.
The LYC was shaped through friendships and personal affiliations, such as the one with Dom Sylvester Houédard, included in Making New Worlds. In the early '60 Li Yuan-chia lived as a guest of Greta Schödl in Bologna and their friendship resonated with her work in the way it challenges the social constructs of language and suggests alternative forms of expression and interpretation.
Li YUAN-CHIA (1929 - 1994) was one of Taiwan’s earliest pioneers of abstract and conceptual art. One of only a few Taiwanese artists to gain acclaim in the international art world, his creative scope encompassed ink painting, oil, monochromatic painting, conceptual art, photography and mixed media, including sculpture, environmental art and participatory installations. Li saw himself as a philosopher, photographer, a mathematician and a poet. He is regarded as China’s ‘first conceptual artist’.
Li was born of humble beginnings in Guangxi, China. Given up for adoption at a young age, he travelled through a succession of orphanages and ended up in Taiwan. A student of art education at the Taipei Normal College for Teacher Training, Li quickly fell in with the revolutionary Ton-Fan group, where he became known as one of the ‘8 Great Outlaws’ – the first abstract artists of Taiwan. Through his association with the group, and to escape martial law in the country, Li travelled to Bologna (where he was a guest of Greta Schödl), then London, eventually finding his home in Cumbria in a house he purchased from the artist Winifred Nicholson in 1972. The house became the site of his life’s work – the LYC Museum and Art Gallery.
Making New Worlds: Li Yuan-chia & Friends is currently on show at Kettle’s Yard, Cambridge, UK. Li participated twice at the São Paulo Biennale, and had important solo shows, including ‘Li Yuan-chia: Unique Photographs,’ The Whitworth, Manchester (2019); ‘Li Yuan-chia,’ Sotheby’s S|2 Gallery, London (2017); Tate Modern: Display, London (2014); ‘View-Point: A Retrospective Exhibition of Li-Yuan-chia,’ Taipei Fine Arts Museum (2014); and a solo exhibition at Camden Arts Center in London (2001), which subsequently travelled to Abbot Hall Art Gallery, Kendal, UK and Palais des Beaux-Arts, Brussels.
Former monk, theologian, historian and artist Dom Sylvester HOUÉDARD (1924-1992) emerged as a cult figure of London's 1960s counter-culture. Born in Guernsey but educated in Rome and Oxford, Houédard worked as a military intelligence officer before becoming a practicing Benedictine priest at the Prinknash Abbey in Gloucestershire. He wrote extensively on new approaches to spirituality, philosophy and art, becoming a leading authority on the Beat movement. Often referred to simply by his initials dsh, Houedard. has become widely recognised as a leading figure and practitioner of concrete poetry, exploring its links to cybernetics and linguistics. His abstract visual poems were created through the use of an Olivetti Lettera 22 typewriter, hence their classification as Typestracts – a combination of the words 'typewriter' and 'abstract.'
As well as publishing and lecturing at various institutions, Houedard exhibited throughout his lifetime at venues including the Arnolfini, Bristol (1966); Lisson Gallery, London (1967 and 1968); Stedelijk Museum, Amsterdam (1972); and the Victoria & Albert Museum, London (1971). Exhibitions featuring dsh’s work have been organised posthumously at the Print Center, Philadelphia (2019); South London Gallery (2012); Institute of Contemporary Arts, London (2009); and Whitechapel Galler and Hayward Gallery, London (2000).
His work is currently included in Making New Worlds, Li Yuan-chia and Friends.
Greta SCHÖDL (1929 - ) is one of the most significant artists in Italy in the field of visual poetry, Poesia Visiva. Born in Austria but living in Bologna, Italy since 1959, her work has refined a unique visual language. Incorporating letters and symbols, obsessively repeated until they become abstract, Shödl echoes the fervent repetition of other women artists like Hanne Darboven and Irma Blank. Geometrical shapes and bold signs intertwine with words, illuminated by gold leaf and embroidered with iron wires, merging in unison on different surfaces often associated with the domestic sphere, such as ironing boards, pillowcases and sheets. Through her fabric pieces she aims to challenge the social constructs of language and the materials that are traditionally associated with the feminine and the domestic.
In 1978, her work was included in the Venice Biennale and in 1981 she was included at the 16th São Paulo Biennale. In 2012, MART Rovereto dedicated a major exhibition to the Poesia Visiva movement, including Shödl’s work. Recently, her work was included in the exhibition and catalogue Scrivere Disegnando (Writing by Drawing) at the Centre d’Art Contemporain Genève in 2020 and in the catalogue La Performance a Bologna negli anni ‘70 (2023).
Greta Schödl is invited to the 60th International Art Exhibition of La Biennale di Venezia curated by Adriano Pedrosa. Her solo retrospective Time doesn’t exist (Il tempo non esiste) is currently on view at Fondazione del Monte in Bologna, Italy.
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