Matilde's practice expands across experimental theatre, text-based artworks and immersive installations. Their work investigates identity, archetypes, systems of belief, natural forces, spirituality & rituals, sexuality & power dynamics, challenging a normative understanding of materiality, perception, and the boundaries of the self.
The physical works Matilde produces often use reflective surfaces, particularly mirrors, as a medium for exploring identity, perception, and the fluidity of reality. In their installations, mirrors serve as both a literal and metaphorical device, offering viewers an invitation to look beyond the surface and confront the shifting nature of selfhood. As the artist explains, the mirror represents a paradox: while it’s trusted to reflect truth, it simultaneously distorts reality, acting as a "passport to another dimension. The door into our inner world, unconscious, identity."
This duality is central to the artist's practice, which frequently plays with opposites—intimacy and vastness, the internal and external, reality and illusion.
Their use of engraving further deepens this exploration of memory and temporality. For Matilde, engraving is more than a physical act; it is a process of inscribing meaning onto surfaces that serve as archives of personal and collective histories. The permanence of the engraved word stands in contrast to the ephemeral nature of much of their other work, acting as a "statement against unpredictable eroding elements".